Here’s the syllabus to the class that I’ll be teaching this coming semester at Hunter College, in NYC. It’s a modified version of the syllabus I used to teach the same class, Introduction to Classical Greek Philosophy, last semester. I had a really good time with the course this last semester (fantastic students, a decent course plan), and I’m really excited to teach it again this semester, mainly because I think I can do it much better this time.
Most Introductions to Classical Greek Philosophy take you from the Pre-Socratics to the Hellenistic period to Neoplatonism. And most tend either to focus on metaphysics and epistemology, or, more ambitiously, actually try to cover ethics in addition to these topics.
My class does cover a fairly broad stretch of Greek philosophy, but it really isn’t a survey class. (I really short-change the Pre-Socratics, for one thing.) I don’t think that a satisfactory introduction to a subject, especially a philosophical subject, needs to be in the nature of a survey. It seems to me that often you can give just as good a sense of a broader subject by drilling down carefully into one part of it, so long as you communicate some of the connections to the rest of the subject as you go along. There’s a lot to be gained by the survey approach, but I avoid survey classes if I can because it seems to me that there is too high a risk of giving a superficial (and so often misleading) sense of everything you touch on if you touch on it too quickly.
So, after a quick initial bow to curricular requirements (Xenophanes, whom I enjoy teaching, and Heraclitus, whom I do not), the course spends almost all of its time on three texts on ethics, which we read through more slowly than we would be able to in a survey course: Plato’s Gorgias, (large parts of) Aristotle’s Nicomachean Ethics, and (the first four of the five books of) Cicero’s On Ends.
The disadvantage here is that my students don’t learn about metaphysics and epistemology in the period. This can be a slight problem if they go on to courses which presuppose some of that background – though almost all of these courses will re-cover the relevant material anyway. At any rate, it is undeniable that my approach leaves out a large area of philosophy which is both worthwhile and intrinsically interesting. Still, I think there are enough advantages in my way of teaching the class to make is one perfectly legitimate way to introduce students to Classical Greek philosophy. (And I notice that very few people who teach M&E heavy versions of the intro class worry about leaving out ethics, though it seems to me just as fundamental a part of the subject. What’s up with that?)
I think a good class tells a story. That is, it picks a few core themes and follows them carefully through a variety of different texts. In this case, I’ve chosen to try to tell a story about Greek ethics, which is concerned with happiness (eudaimonia) and various candidates for it and possible contributors to it, such as pleasure, virtue, and friendship. The texts for this class are wonderful by themselves (though Aristotle is tough going for newbies), but it’s really when they’re read together that students can start to draw connections and see strong contrasts in the various treatments of a few core subjects. I try to stress these connections in the lectures, but this semester I’m adding one innovation that should help to cement this. The final take-home exam asks students to trace a theme through a few of the philosophers we’ve looked at. And they’ll get the take-home exam on the first day of class, so that they can read the texts with the theme they’ve chosen in mind (I’m continuing to call it an exam, rather than an essay, since it should be a bit less formal than an essay, and because the deadline is absolutely fixed). Shorter assignments on particular texts, on the other hand, are intended to help students practice reading shorter stretches of text and explicating them clearly.
In the past, one weakness of the classes that I’ve designed is that they put so much emphasis on close reading and explication that there’s little time left to encourage creativity or even to get students to practice explaining their own views. This syllabus begins to address that worry by asking students not just to write about a theme like pleasure or virtue in the philosoiphers we’ve read, but to try to explain which philosopher’s views seem most plausible to them.
Anyway, hope it turns out! (And let me know if you find any typos please.)
Update: Ahhhh, substituted Democritus for Heraclitus. That’s going to work much, much better.
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